€350
incl. btwshipping calculated at checkout
withering vase
The vase originated during the design process of an armchair. The idea of a cut in a material has intrigued us for quite some time. However, each material reacts differently to such a cut.
For the ceramic vase, cuts of a few centimeters are made on its four corners before firing. The rectangular shape is then placed in the kiln without any further manipulation. Due to the heat, the surfaces unfold along the cuts, resembling the petals of a withering flower.
During the second firing process, when a transparent yellow glaze is applied, this unfolding process repeats itself. The vase opens up even more as a result. This process ensures that every vase has its own unique character.
We chose a transparent glaze. A transparent glaze adheres less effectively to the edges, highlighting them further. This accentuates the unfolded surfaces and gives the vase a distinctive appearance.
withering vase
€350
incl. btwshipping calculated at checkout
The vase originated during the design process of an armchair. The idea of a cut in a material has intrigued us for quite some time. However, each material reacts differently to such a cut.
For the ceramic vase, cuts of a few centimeters are made on its four corners before firing. The rectangular shape is then placed in the kiln without any further manipulation. Due to the heat, the surfaces unfold along the cuts, resembling the petals of a withering flower.
During the second firing process, when a transparent yellow glaze is applied, this unfolding process repeats itself. The vase opens up even more as a result. This process ensures that every vase has its own unique character.
We chose a transparent glaze. A transparent glaze adheres less effectively to the edges, highlighting them further. This accentuates the unfolded surfaces and gives the vase a distinctive appearance.
€350
incl. btwshipping calculated at checkout
withering vase
The vase originated during the design process of an armchair. The idea of a cut in a material has intrigued us for quite some time. However, each material reacts differently to such a cut.
For the ceramic vase, cuts of a few centimeters are made on its four corners before firing. The rectangular shape is then placed in the kiln without any further manipulation. Due to the heat, the surfaces unfold along the cuts, resembling the petals of a withering flower.
During the second firing process, when a transparent yellow glaze is applied, this unfolding process repeats itself. The vase opens up even more as a result. This process ensures that every vase has its own unique character.
We chose a transparent glaze. A transparent glaze adheres less effectively to the edges, highlighting them further. This accentuates the unfolded surfaces and gives the vase a distinctive appearance.